Killing the Sacred Cows of Publishing: Can???t Make Money in Fiction

The Magic Bakery Metaphor

Think of us (every writer) as a huge bakery and all we make is pies. Magic pies, that seem to just reform after we sell off pieces of the pie to customers. And each pie can be divided into thousands of pieces if we want.

The Magic Pie secret ingredient is called ???Copyright.???

Every story we write, every novel we write, is a magic pie full of copyright.

We can sell parts of it to one publisher, other parts to another publisher, some parts to overseas markets, other parts to audio, or eBooks, or game companies, or Hollywood, or web publishers, and on and on and on. One professional writer I knew sold over 100 different gaming rights to different places on one novel. He had a very sharp knife cutting that magic pie.

So each professional writer has this Magic Bakery, making magic pies that can be cut into as many pieces as we want and many of the pieces can return as if never taken, even after being sold off. (You must learn copyright to really understand this.)

It may reform, you have it, you can sell it, you still got it. Magic, indeed. And there isn’t really magic is there? Except what the State can coerce for this fantastic minority.

The Red Statement

We believe the state of film marketing has become ridiculously expensive and exclusionary to the average filmmaker longing simply to tell their story. When the costs of marketing and releasing a movie are four times that film’s budget, it’s apparent the traditional distribution mechanism is woefully out of touch with not only the current global economy, but also the age of social media. Therefore, The Harvey Boys will not spend a dime on old world media buys (such as TV/Print/Outdoor) as we self-distribute our film, Red State, in an admittedly unconventional, yet extremely cost effective, word of mouth/viral campaign.

Knowledge is power, and we believe in empowering the filmmaker – so the Harvey Boys vow to make the financials of Red State open and transparent from which anybody hoping to follow suit can learn. We will do what no studio has dared: open up our books for the world to see so anyone interested in pursuing a similar independent release strategy has a better understanding of the BUSINESS of Red State.

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ThePirateBay.org?

RIAA: Someone Else Is Pirating Through Our IP-Addresses

A few days ago we reported that no less than 6 IP-addresses registered to the RIAA had been busted for downloading copyrighted material. Quite a shocker to everyone – including the music industry group apparently – as they are now using a defense previously attempted by many alleged file-sharers. It wasn’t members of RIAA staff who downloaded these files, the RIAA insists, it was a mysterious third party vendor who unknowingly smeared the group’s good name.

Yeah, right. Like RIAA would accept that from any one else. Their deceit is only exceeded by their greed, stupidity and hypocrisy.

Overbroad Censorship & Users

Under SOPA, every single one of the services that Abe uses can be obliterated from his view without him having any remedy. Abe may wake up one morning and not be able to access any of his photos of his children. Neither he, nor his students, would be able to access any of his lectures. His trove of smart online discussions would likewise evaporate and he wouldn’t even be able to complain about it on his blog. And, in every case, he has absolutely no power to try to regain access. That may sound far-fetched but under SOPA, all that needs to happen for this scenario to come true is for the Attorney General to decide that some part of PickUpShelf, SunStream, SpeakFree and NewLeaflet would be copyright infringement in the US. If a court agrees, and with no guarantee of an adversarial proceeding that seems very likely, the entire site is “disappeared” from the US internet. When that happens Abe has NO remedy. None. No way of getting the photos of his kids other than leaving the United States for a country that doesn’t have overly broad censorship laws.

There are millions of US internet users just like Abe. If you are one of them, I urge you to make your voice heard by going to AmericanCensorship.org or EngineAdvocacy.org/voice.

“If you do nothing wrong, you have nothing to fear” except from blunt instruments wielded by the stupid and their flunkies.

Homeland Security Request to Take Down MafiaaFire Add-on

Our approach is to comply with valid court orders, warrants, and legal mandates, but in this case there was no such court order.  Thus, to evaluate Homeland Security’s request, we asked them several questions similar to those below to understand the legal justification:

  • Have any courts determined that the Mafiaafire add-on is unlawful or illegal in any way? If so, on what basis? (Please provide any relevant rulings)
  • Is Mozilla legally obligated to disable the add-on or is this request based on other reasons? If other reasons, can you please specify.
  • Can you please provide a copy of the relevant seizure order upon which your request to Mozilla to take down the Mafiaafire  add-on is based?

To date we’ve received no response from Homeland Security nor any court order.

“We’re wearing jackboots and you can trust us, just do as we say.” When the State doesn’t obey the law, its in a poor position to call anyone else criminal.

Homeland Security Wants Mozilla to Pull ???Domain Seizure??? Add-On | TorrentFreak

Homeland Security???s ICE unit is not happy with a Firefox add-on that allows the public to circumvent the domains seizures carried out during the past several months. In an attempt to correct this ???vulnerability??? in their anti-piracy strategy, ICE have asked Mozilla to pull the add-on from their site.

Addons.mozilla.org, soon to be a “rogue” “terrorist” website, but of course, ICE isn’t waiting for SOPA, which is after all only a post-hoc rationalisation for the actions already taken against Wikileaks. It’s this kind of enforcement that makes me hate copyright.

How to Get a Job If You’re a Forty-Something Woman

What saved me?

1. I chose self-employment.

2. My skills are diversified.

3. I???m a digital professional.

Today, that???s the kind of worker that it helps to be: flexible, self-propelled, forward-thinking. The old way is over. This is the new way.

You are not who you think you are. You are who you fear you are. You can reinvent yourself today. And tomorrow. And the next day. And the day after that.

It???s not about the shoes you wore to the interview, or your resume, or what your experience means. It???s about magical thinking, and willing things into being, and the random stuff that starts happening when you stop winging left and start winging right.

Works for me.

The New Digital Divides – Simon Says…

today, while basic connectivity remains an important issue, there’s a new digital divide emerging; a digital skills gap. We may have a large number of households that have great connectitivity, but they use it for “notworking” – surfing, downloading and social-network-idling – instead of as a key part of their intellectual life and citizenship.

Once there’s more than one divide, things get insignificant exponentially

An Explanation For Why UMG May Be Right That It Can Pull Down MegaUpload’s Video [Updated] | Techdirt

There are a few different ways that content can be taken down off of YouTube concerning copyright claims. One is via ContentID, the automated system that matches fingerprints. One is via a DMCA takedown notice. And one is via YouTube’s Content Management System. This last one doesn’t get much attention and isn’t that well known, but it’s basically halfway in between the other two (loosely speaking), granting partners the ability to spot and block videos that aren’t matched by ContentID, but without sending a DMCA takedown. If you’re familiar with the details of the system (which it appears MegaUpload and its lawyers were not), it was actually easy to tell this was a CMS block by the message that appeared on the blocked video. It said “This video contains content from UMG, who has blocked it on copyright grounds.” That’s the message that shows up on CMS blocks. DMCA takedowns say that the video is “no longer available.”

So, on that point, UMG may very well be correct in its filing, that it’s not subject to DMCA sanctions because it didn’t actually file a DMCA notice

Private contract, access has always been that under copyright.