About the Book
This book is a work in progress. A living document, of sorts. Start reading now, and it will grow month by month. Just don’t get it wet, and never feed it after midnight.
Music is both culture and commerce. Those two things are inextricably linked. In different periods of history, music culture and music commerce are profoundly different.
In the age of print, the main way in which music was produced, distributed and consumed was on paper. Music was dots on a page. The electric age, with its introduction of recordings and broadcasting, radically transformed the ways in which music made meaning for people, and consequently the ways in which it made money.
And just as the electric age was profoundly disruptive to the musicians, businesses and fans of music when it first came along, so too is the digital age.
this decision is not made for the benefit of songwriters, composers, audiences, music researchers or for the benefit of culture.
It is a profoundly anti-music decision.
Worse, the Musicians Union ??? a body purporting to represent the interests of their members ??? have decided to side with the BPI in their support of this copyright extension, confirming their status as pro-popstar, pro-corporate entertainment complex and pro-copyright maximisation??? but utterly anti-music, and anti-musician.
I know some good people in the MU, and I can think of good reasons to be a member. But at a public policy level, the Musicians Union has become complicit in some of the worst decisions and campaigns that are not to the benefit of their members at all, but solely for the good of the corporate record industry.
I don???t think they have been fooled by BPI rhetoric. I don???t think they???re stupid. I didn???t say ???deluded??? ??? I said ???complicit???.